ANN
FOGLER
Mezzo-soprano
Praised for her “flexible, very warm, and crystalline” instrument, mezzo-soprano ANN FOGLER is an accomplished performer based in Washington, D.C. Recent appearances include Frauenliebe und Leben at the Make Music Upper Perk Festival, Saint-Saëns’ Christmas Oratorio as alto and mezzo-soprano soloist at St. Patrick’s Church (Washington, D.C.), Elgar’s Sea Pictures with the Dickinson College Orchestra, and Phoebe in Gilbert and Sullivan’s The Yeoman of the Guard with the Young Victorian Theatre Company.
Additional performances include Mahler’s Des Knaben Wunderhorn with the Gettysburg Chamber Orchestra and the double role of the Squirrel and the Teacup in L’Enfant et les Sortilèges with Bel Cantanti Opera.
Ms. Fogler’s career includes her participation as a young artist in the Bonfils-Stanton Foundation program at Central City Opera, where she performed the role of the Announcer in Gallantry. The following year she was a featured soloist in Encore: A Musical Revue. For her performances, she was given the Central City Opera William’s Award and the Studio Artist Award.
Fogler made her MassOpera debut as Orlofsky in Die Fledermaus, a role praised as “delightfully eccentric.” Her credits also include Lepido in Silla with The Cambridge Chamber Ensemble and Global Hope in Keepers of the Light with the Nahant Music Festival. Ms. Fogler performed as a soloist with the American Institute of Musical Studies’ Festival Orchestra in Graz, Austria, delivering selections as Octavian from Der Rosenkavalier and Dorabella from Così fan tutte. She was recognized with an Encouragement Award at the Meistersinger Competition and was a grant recipient of the Anna Sosenko Trust Fund.
Ms. Fogler earned the Bachelor of Music in Vocal Performance from Dickinson College and the Master of Music in Voice Performance from the Boston Conservatory at Berklee, studying under Marilyn Bulli. She now continues her studies with Rosa Lamoreaux.
%20(1).jpg)
“Of particular note, Ann Fogler truly stood out as the Brother: she conveyed the character’s brattiness and desires in a way that played perfectly with how Cote paints the character, and her crystalline voice easily added to the character.”
- Schmopera
“Ann Fogler as Prince Orlofsky was extremely impressive, her robust vocals capable of adroit agility.”
- The Arts Fuse
​
“Much of the heavy vocal lifting is done by Ann Fogler’s Brother, who carries much of the plot and exposition through dialogue. Fogler rises ably to the challenge, strongly capturing Brother’s overflowing energy in scenes such as an amusing vaudeville routine. ” - The Boston Musical Intelligencer
​
Personal Website
https://annfogler.com/
Media
Compilation
https://youtu.be/okXFSpgbaoY?si=fRlIUKgzOU36v8IW
​
Mahler (Des Knaben Wunderhorn)
https://youtu.be/4nap75re4UY?si=600_fhstc81FCkyu

