Mezzo-soprano CAROLINE TYE has been hailed as “stunning” for her performance as the Baker’s Wife in St. Petersburg Opera’s production of Sondheim’s Into The Woods (BroadwayWorld),

“providing good-natured puffery as Mrs. Malaprop” in Kirke Mechem’s The Rivals (NY Times), “sultry and amber-voiced” as Mercédès in Regina Opera’s Carmen (Brooklyn Daily Eagle), as well as “true embodiment of the role” in her performance as Madame Flora in Opera Manhattan’s The Medium (OperaTeen).

Ms. Tye's other recent credits include Florence Pike in Albert Herring, Flora in La traviata, Hänsel in Hänsel und Gretel, Suzuki in Regina Opera’s Madama Butterfly, Madame Flora (Baba) in New Camarata Opera’s production of The Medium, Nancy in Flotow’s Martha, Augusta Tabor in Douglas Moore’s The Ballad of Baby Doe, Alice Ford in Ralph Vaughan Williams’ Sir John in Love, the title role in Carmen with Delaware Valley Opera, Madame de Haltière in Utopia Opera’s Cendrillon, the title role in Bronx Opera’s La Cenerentola, Mother Goose in Stravinsky’s The Rake’s Progress, Dido in Dido and Aeneas, Mercédès in St. Petersburg Opera’s production of Carmen, Isabella in L’Italiana in Algeri, Jo March in Little Women, Ulrica in Un ballo in maschera, Dalila in Samson et Dalila, Miss Pooder in Pasatieri’s Hotel Casablanca, Adalgisa in Norma, Lola in Cavalleria rusticana, Dorabella in Così fan tutte, and Maddalena in Delaware Valley Opera’s Rigoletto.

Among other performances, this season Ms. Tye sings the title role in Carmen with Regina Opera.  Past roles include Mary in Der fliegende Holländer, Olga in Eugene Onegin, Cornelia in Giulio Cesare in Egitto, The Third Lady in Die Zauberflöte, Dame Quickly in Falstaff, Idamante in Idomeneo, and The Muse/Nicklausse in Les Contes d’Hoffmann.  She recently received the Master of Music – Vocal Performance degree from The Boston Conservatory, and is a student of Lenora Eve.